Netflix banks on vast production line to weather pandemic

Netflix downplays concerns that its ‘mind boggling’ pipeline of original content will run dry during pandemic – and turns to Iceland to film new shows while Hollywood is shuttered

  • Netflix says its slate for release in 2020 is largely in the can or post-production
  • Streaming service has seen huge growth with millions trapped in their homes
  • Company said this week it is raising $1 billion to further invest in content
  • Netflix is expanding aggressively while traditional studios remain shuttered
  • Turning to isolated sets in Iceland and South Korea to continue production 

While coronavirus has brought Hollywood to a halt, Netflix has enjoyed record success — and the streaming giant says it is confident its pipeline of original content won’t run dry during the pandemic. 

Netflix announced this week that it has finished filming the majority of movies and series due for release this year, playing down concerns that its flow of hit shows such as ‘Tiger King’ could run dry, or the next ‘Unorthodox’ be delayed.

‘Our 2020 slate of series and films are largely shot, and are in post-production remotely in locations all over the world,’ said content chief Ted Sarandos.

‘And we’re actually pretty deep into our 2021 slate. So we’re not anticipating moving things around.’

Meanwhile, Netflix said on Wednesday that it plans to raise about $1 billion in debt to beef up original content even further, positioning itself as major U.S. studios halt productions and delay film releases due to the coronavirus-led lockdowns.

Netflix has played down concerns that hit shows such as ‘Tiger King’ could run dry

Analysts say Netflix’s scale, in terms of its sheer number of ongoing productions and global presence, make it best-placed to weather the pandemic storm.

‘Any other studio… might have four or five films in the can, or in post-production that they can still work on. But Netflix has possibly hundreds,’ said Jeff Bock, senior analyst at Exhibitor Relations.

‘There are so many productions that are financed by Netflix, it’s almost mind boggling. They’re almost putting out as much content as all the studios put together.’

The deep-pocketed platform can also turn to its vast network of overseas partners to license content — often subtitled — for domestic audiences.

But even Netflix’s content pipeline has inevitable limits if an unprecedented shutdown nobody could have predicted extends much longer.

‘They like to put out a lot of content, each and every week,’ said Bock. ‘Maybe as we go along into the fourth or fifth month in terms of lockdowns… they certainly will be ahead of the game, but they’ll certainly be hurt.’

The original series Unorthdox (above) has been another big hit during virus lockdowns

As streaming video grows in the United States, the space has become more competitive with the debut of Walt Disney Co’s Disney+ and other upcoming rivals.

That threat has pushed Netflix, with about 183 million global subscribers, to aggressively expand its content and look overseas for growth.

New, original programming plays a bigger part in Netflix’s appeal than rival platforms like Disney+ — home to the Mouse House’s enviable 80-year back catalog.

‘People are, in a sense, distracted by all the archival content — they can watch shows over and over,’ said Paul Dergarabedian, senior Comscore analyst. ‘There’s a lot of buffer there.’

With the streaming wars heating up, Netflix has lost evergreen hits like ‘Friends’ and ‘The Office’ to upcoming rivals HBO Max and Peacock.

The delay of this summer’s entire movie theater blockbuster slate also means those films will arrive later at streamers such as Netflix, according to Steve Nason, research director at Parks Associates.

‘Maybe not in the short term, but in the longer term, that hurts Netflix,’ he said.

The third season of hit series Ozark was released in late March. Netflix says it has a vast pipeline of new content in the works, downplaying fears it will run out of new releases

Netflix launched several popular original shows in the first quarter, including action film ‘Spenser Confidential,’ documentary miniseries ‘Tiger King,’ dating show ‘Love is Blind’ and Spanish drama ‘Money Heist.’

The current quarter slate includes the Chris Hemsworth starred action movie ‘Extraction,’ sitcom ‘#blackAF,’ comedy show ‘Space Force’ and reality dating series ‘Too Hot to Handle.’

Netflix had a $15 billion cash budget for content last year and BMO Capital Markets had estimated spending on content to top $17 billion this year.

The company, which usually funds its spending spree by sporadically tapping the debt market, is selling senior notes this time. 

Netflix turns overseas for production while Hollywood remains closed 

Netflix has another tool at its disposal: its ability to find ways to keep making new content.

Thanks to rapid global expansion, Netflix is now ramping up production in countries that are easing restrictions — namely Iceland and South Korea — while Hollywood remains closed.

‘Certainly the Netflix brand is worldwide — there’s no reason why they can’t buy their own island honestly and shoot things there,’ Bock told AFP.

Netflix stock reached all-time highs during the pandemic as more subscribers tuned in

Its recent successes in reality TV, such as ‘Love is Blind’ and ‘Too Hot to Handle,’ point to avenues requiring smaller crews and with rapid turnaround times.

Netflix quickly capitalized on the phenomenal success of surreal zookeeper documentary ‘Tiger King’ with a follow-up episode featuring interviews with show alumni conducted via low-budget video calls.

‘A lot of different content distributors are looking into (documentary programming) in the short term, to fill some of those holes,’ said Nason. ‘Netflix has already done that.’

‘If the production halt goes on nine to 12 months, everyone is going to be hurt,’ he added. ‘But compared to some of their competitors… (Netflix) are going to be in much better shape.’

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